Across the Universe

All posts tagged Across the Universe

The basic idea of a dystopia is a utopia gone awry. Usually, the people of influence within the dystopia manipulate the citizens into believing it is utopia through means of propaganda or media censorship. While the totalitarian government which most dystopias inhabit can appear perfect at first glance, upon further review it is easy to see the flaws in the society.

When another genre is added to a dystopian novel, the underlying warnings or agendas of that novel are not necessarily changed, but instead another facet is added to the ever-complex idea. For example, a sci-fi dystopian gives the reader a terrible glimpse into a future where scientific discoveries aren’t regulated. Often, this advanced technology is used to instill fear, control, and further the power of the government.

Apocalyptic dystopias are slightly different than Sci-Fi dystopias because, while sci-fi dystopias use futuristic technology to ensure compliance, apocalyptic dystopias tend to offer protection more than anything. For example, in Divergent the worst thing that could happen would be to become factionless, and without the aid of the government

Romantic dystopias are interesting though. Because dystopias diminish the individual’s control, instead the government oversees almost all aspects of a citizen’s life. Therefore, love threatens the government’s control because it is unregulated and threatens the absolute power of the government. In dystopian books, such as Matched, the government has gone so far as to determine who their citizens are to love. Therefore, minimizing the threat of individuality by lack free choice. Delirium by Lauren Oliver, goes one step further in that the government tries to prevent love all together. One of my favorite books, Across the Universe by Beth Revis, has a similar approach, but instead of just withholding the feeling of love from their citizens, everyone is completely drugged, devoid of any emotions or individual thoughts. While this works well in preventing conflict and keeping the government intact, it is certainly no way to live.

A dystopian young adult novel has a younger demographic, so the content of the book can’t be quite as graphic as that of a book like the Handmaid’s Tale. However, because the author cannot be explicit, darker plots are often mentioned in passing at and left to the reader’s discretion. For example, in Mockingjay, Finnick Odair admits that he was sold for prostitution by President Snow to the horror of many readers. However, instead of explaining or exploring that story any further, Suzanne Collins is restricted by the young adult demographic and only mentions it once.