I noticed a continuity that extended beyond the editing in Casablanca. As I was watching, paying attention to the continuity editing, I noticed one thing that seemed to stay the same. There were many establishing shots followed by shot/reverse shots. But within that spacial orientation, I found myself connecting characters in more than just the space of the single scene. I noticed that characters were continuously placed on a certain side of the frame. In particular, Rick on the left and Ilsa on the right.
The examples go on and on. Almost every time we see them on screen, Rick is on the right side and Ilsa is on the left side. I think this continuity is helpful for viewers to always know where we will find each character. It also, especially in the scenes in Casablanca, establishes two forces that are constantly at odds with one another, always occupying their own space. Those spaces never do truly merge, as Rick and Ilsa do not end up together in the end.
As the flashback to their time in Paris begins, we see a montage of shots all placing the two characters in this orientation. The first time we see them in different orientations is after they have recently been informed of the impending German invasion. This event has rocked their world and turned it 180 degrees to then show Ilsa on the left and Rick on the right for not just one but a series of shots.
Another time we see Rick on the right side of the screen is when he is shown conversing at a table with another woman. By placing the female on the left and Rick on the right, we get a subtle visual cue that this relationship is different. Rick has his heart fully set on Ilsa, paying a minimal amount of attention to this woman. He is forwardly emotionally invested, as he is the left-oriented character infatuated with the right-oriented character.
I know there are probably a few more shots with Rick on the right and Ilsa on the left, but they are certainly a small minority. This has got me thinking of other films I have seen and whether they have a continuous hemisphere in which a character will occupy and how the changes in that have been used to symbolize changes in the character or story. I’m also curious as to any other reasons why this orientation would be used continuously in Casablanca.